To the north-east of Kumasi, these are the last material remains of the great Asante civilization, which reached its high point in the 18th century. Since the dwellings are made of earth, wood and straw, they are vulnerable to the onslaught of time and weather.

Brief synthesis

Near Kumasi, a group of traditional buildings are the last remaining testimony of the great Asante civilization, which reached its peak in the 18th century. The buildings include ten shrines/fetish houses (Abirim, Asawase, Asenemaso, Bodwease, Ejisu Besease, Adarko Jachie, Edwenase, Kentinkrono, Patakro and Saaman). Most are to the north-east of Kumasi, and Patakro, to the south.

Arranged around courtyards, the buildings are constructed of timber, bamboo and mud plaster and originally had thatched roofs. The unique decorative bas-reliefs that adorn the walls are bold and depict a wide variety of motifs. Common forms include spiral and arabesque details with representations of animals, birds and plants, linked to traditional “Adinkra” symbols. As with other traditional art forms of the Asante, these designs are not merely ornamental, they also have symbolic meanings, associated with the ideas and beliefs of the Asante people, and have been handed down from generation to generation.

The buildings, their rich colour, and the skill and diversity of their decorations are the last surviving examples of a significant traditional style of architecture that epitomized the influential, powerful and wealthy Asante Kingdom of the late 18th to late 19th centuries. reflect and reinforce a complex and intricate technical, religious and spiritual heritage.

The traditional religion, still practiced in the Asante shrines, takes the form of consulting with the deities to seek advice on specific situations, or before an important initiative. That is why the shrines have been maintained complete with all their symbolic features.

Criterion (v):

The are the last remaining testimony of the unique architectural style of the great Asante Kingdom. The traditional motifs of its rich bas-relief decoration are imbued with symbolic meaning. 

Integrity

The group of buildings is the only surviving example of the Asante traditional architecture. Very few of the buildings are complete. In most cases parts of the original structures are missing. The integrity is threatened by deterioration of the fabric due to the warm humid tropical climate that is destructive of traditional earth and wattle-and-daub buildings. Heavy rainfall and high humidity encourage rapid mould formation on wall surfaces, and the activities of termites, and other prolifically breeding destructive insects. The intensification of agricultural developments makes the traditional building materials of thatch, bamboo, and specific timber species less easy to obtain.

Authenticity

The present appearance of the buildings and their architectural form is largely authentic in terms of reflecting their traditional form and materials, although many have been largely reconstructed.  In 12 out of the 13 buildings the original steeply pitched palm-frond thatched roof has been replaced by lighter, shallower-pitched, corrugated iron roofs, and in all the buildings there has been the insertion of more durable paved flooring than the traditional rammed earth.

Protection and management requirements

Between 1960 and 1970 the buildings were acquired by the Ghana Museums and Monuments Board (GMMB) and scheduled as a National Monument under the Law of Ghana NLC Decree 387 of 1969. There is also involvement by the Chief and his Elders.

Therefore, the instruments for the protection of the operate on two levels. The first is a prescription of customary regulations, prohibitions and penalties that have been handed down through generations from the past. The second is the modern statutory regulations enacted by Government. The two sets of laws complement each other, and are a generally effective means of protection although the modes of enforcement are different. The former is built into the belief system and worldview of the communities where the sites are located, while the latter prescribes the role of the GMMB.

Part III of Executive Instrument (EI) 29 of National Museums Regulations, 1973, provides legal protection for the properties as National Monument.

The GMMB is responsible for all conservation activities on the properties. Routine inspections are carried out by staff of GMMB and there are Caretakers at all the sites who report to the Regional Office of the GMMB.

Planning and implementation of intervention measures are carried out with the involvement of the Traditional Authorities, Local Council, the Community members and Kwame Nkrumah University of Science and Technology (KNUST). 

A strategic and management planning framework “Local Tourism Promotional Strategy and Management Planning framework for Sustainable Development of ” has been put in place to ensure a sustainable development of the .

The long-term challenges for the management of the are to ensure regular maintenance in order to mitigate the impacts of the warm humid climate and to put in place a long-term strategy to secure a sufficient supply of organic materials for their repair.